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part one of this interview with author/ philosopher robert anton wilson was excerpted from an interview done by elizabeth gips and broadcast on her radio program, "changes, " which is on kisc 88.1 fm in santa crui on Sunday nights (7:30-10:00 pm) andkkup 91.5 fm in sen Jose tuesday afternoons (2:00-6:00 pm).
changing reality tunnels
robert anton wilson: interview by elizabeth gips
my cosmology is the multiple universe model first suggested by irwin schroedinger, the nobel physicist, back in the '40s, and more recently developed by John archibald wheeler at princeton andbryce dewitt and jack sarfattiand various other physicists, according to this cosmology, everything that can happen does happen.
iput my trust in our lady . . . our lady oris, the goddess of chaos, discord, confusion, and bureaucracy, it takes only a cursory glance at affairs on this planet to see that she is the presiding divinity over everything going on here, especially in government offices.
sirius is to occultists what ufos are to the population at large, contact has been established, of course, everybody knows that, contact has been established with the human collective unconscious, most people have this idea that contact is something that's going to happen in the future, a flying saucer or a flying pie plate or something will land on the white house lawn and somebody will get out. and the president, because he knows the mason word, will be able to greet them correctly, the president is always a 33° mason, you know, they've passed on this word since the first contact 4,500 years ago and as soon as they come out, he'll say the secret masonic formula, "gort klaatu marinda, " and they'll know they've contacted the right guy and it'll all be fine, that's a lot of nonsense, the contact was never intended to be of that form and they're not interested in primate politics at all. the alpha male in the baboon herd is precisely as important and unimportant to them as the president of the united states or the supreme servant of the people in red china, primate politics is all pretty much the same, chimpanzees, orangutangs, baboons, people . . . higher intelligence isn't interested in that at all. the contact has been established with the collective unconscious of humanity and everybody knows it. you've just got to look at comic books, the covers of rock albums, everywhere you look, it's all over our culture, we are not alone, as the ads for close encounters say. everybody knows it. it's the most open secret of the twentieth century.
i was contacted by higher intelligences from sirius with a lot of urgent messages about things i had to get done in the next 25 years which were very important for the evolution of the human species, or that's the way it seemed to me at the time, later on, i decided it was probably just "the little people, " as the Irish called them, playing a joke on me. then later on /'decided it was probably the right hemisphere of my own brain giving me vistas of the future, then later on, i decided it was actually my holy guardian angel, as the c aba lists say. then later, i decided that i was just having a schizophrenic breakdown at the time, i haven't decided yet which one i believe, except that i know a lot of intelligent people who have i the experiences end they don't seem crazy to me. i can't judge ifi'm crazy, ' 'cause who can judge himself? the one physicist i know who believes it's all time-travel, and not extraterrestrial, has had contact with time travelers, higher intelligence always fits into your belief system, so that contact will be with something you will believe is real, you can't be contacted by something you don't believe is real.
i think within the next ten years virtually everybody is going to have to read the AooA'/neuropoiitics by timothy leary with robert anton wilson andgeorge ko op man) just in self-
protection to keep from flipping out future shock.
everything is accelerating faster than ever before, and most people's nervous systems are imprinted, in the ethological sense, the way a baboon is imprinted to play a certain role in the baboon herd, most people are imprinted with early reality models gained from their parents and their schools and so on, and cannot adjust these models to new incoming data, they adjust the incoming data to fit the models, when they can't fit, they feel nervous, and they don't know why they feel nervous, this is the main cause of neurosis, if the incoming data contradicts the imprinted model too much, you have what is called cognitive dissonance in psychiatry, which produces behavior for which there are various clinical terms, but which we refer to as being bonkers or wigged out. this is because if you keep on getting signals that don't fit your reality map, you know something is going on and you don't know what it is — so you start getting very suspicious and uncomfortable, that's why paranoia has increased so much in the last 15 years, changes are coming faster and faster all the time, people talk about, "should we go into space?" it's too late to ask. we've already started, we're on our way. more people have been in space now than had flown the atlantic 50 years ago, and that includes all the people who went by zeppelin before lindberg went by plane.
~ —
figure the progress of aviation from 1928 to 1978 — that's 50 years — and it's gone up to the point where the number of people who are going through kennedy international in new york every year is equivalent to the total population of the united states, two hundred million people go through every year, project aerospace technology forward 50 years and you've got 200 million people going into space every year, gerry o 'neill has pointed out by 2025 earth 's population will be dropping, because there will be more people going into space than being born here, this rapid acele ration's going on in all the sciences and applied technology, this means that if people can't change their reality construct their imprinted models, their maps and models of reality, they're going to be increasingly uncomfortable, and neuropolitics is the only do- it-yourself manual, so far, that tells you how to rewire your nervous system from the inside out to keep up with incoming signals so you don't have to screen out new signals and you don't have to be afraid of them and you can make a new reality map as often as necessary.
discouragement is bad for the nervous system, bad for the glands, it does all kinds of things to the stomach acids . . . it's to be avoided at all costs, it lowers the energy level in general, the first thing you got to learn in practical neuro- politics is to stay high all the time, negative energy is just wasted energy.
an energy slave is a machine that's the equivalent of a human being working for you eight hours a day. that's a unit that[buckyj fuller worked out, based on aristotle's idea that the moral equivalent of slavery was machinery, aristotle said we could abolish slavery when we had machines to do those jobs, well, of course, first we abolished chattel slavery and started wage slavery, the next step is to abolish wage slavery, eventually, we'll be able to turn the work all over to the machines, as a matter of fact muscle labor is becoming increasingly obsolete and most of the routine forms of mental labor are becoming increasingly obsolete too.
. . . communication is only truly possible between equals, you know you're unequal when you're in a situation where you can't communicate, did you ever try to communicate with a government official? you can't! because you're not equal, they have power over you. if you've ever been in a marriage where you couldn't communicate with your mate, that meant that there wasn't any equality in the relationship, it was authoritarian, so any authoritarian structure — in the family, in corporations, in armies and so on — leads to communication jamming and what i call progressive disorientation.
when you pit science and mysticism together, you get an astonishing new product utterly unlike any of the mysticism that ever existed before and utterly unlike the science that existed before, we've got a whole generation of turned- on scientists and scientifically-curious mystics who are working together and making fantastic breakthroughs in consciousness that are going to absolutely revolutionize this planet, and that's really what intelligence increase means, it means learning to use our nervous systems for maximum ecstatic functioning at all times.
learn how to control your own nervous system and the whole universe is yours, this is the goal of the philosophers, in alchemical terms, when you learn to turn all incoming impressions to your advantage, then you're the richest person on the planet, everything turns to gold for you, because you're turning it into gold, that's the transmutation the alchemists were working for.
the difference between domesticated primates such as the american medical association, let's say, and the ordinary dog or cat is not very great, which is why behaviorist psychology is so successful, as long as people are performing at this fairly robotic level of stimulus-response, they aren't much different from dogs or cats, it's only when you turn on the higher circuits and begin to taste reactions before you experience them and begin reprogramming yourself that you are entirely beyond the explanations of the behaviorists. they can only say you don't exist, they can't explain you any more.
if people start asking for happiness instead of power from their government, they'll get a different kind of government.
. . . the sanest thing we can do is to try to get ourselves more space, more time, and more intelligence to enjoy space and time, if enough people can see that, we get it. if they go on with their baboon-like territorial squabbles, we might not get it. we might lay the whole planet to waste. com pg 24
it's only when you turn on the higher circuits and begin to taste reactions before you experience them and begin reprogramming yourself that you are entirely beyond the explanations of the behaviorists.
if people can't change their reality constructs, their imprinted models, their maps and models of reality, they're going to be increasingly uncomfortable.
learn how to control your own nervous system and the whole universe is yours, this is the goal of the philosophers, in alchemical terms, when you learn to turn all incoming impressions to your advantage, then you're the richest person on the planet.
■
~
m
greatest hits of the new age
somerset mau mau
strange things goin' on, down in peru
people fly in' through the sky they might come down in a year or two
then we all shall know the reason why . . .
everybody's movin' to the andes — somerset mau mau, live larynx album
just what the hell is going on, anyway? what gives, with the sudden emergence on the scene of so many emergency insurgents? from the psychedelic shamans to the lifespringers, from silva mind control psychics to the rainbow tribe, werner erhard to jane roberts, scientific occultists, pyramid seers, neo-pagans and sub-genii; they all vie for a slice of the consciousness pie. men's empowerment workshops are proliferating at a phenomenal rate (a sticky mess, for sure!) while the pop culture celebrates the age of the androgynous idol on screen and vinyl, everyday life in the new age can be kind of spooky, with friends sitting closer to the door and such, in that spirit, i present a primer for operating the bio- computer in some of the tweakier manifestations of our popular brain, in this, the golden age of human potential.
best training — take control of your life by taking control of your bladder, pee freely, but only if you must.
neuro-linguinni programming — students are taught to make their own fresh pasta with tasty clam sauce, all under the watchful eye of a facilitator trained to interpret in storybook fashion, each student's private psychodrama enacted in the noodle therapy, each student must share their noodles.
shamans without shame — is a support group for frustrated medicine men and women, through methods similar to those used successfully on agoraphobics, city-shamans are taught to shake their rattles and beat their drums, without feeling like assholes.
common groins — is a men's group that strives for a "crotch consciousness, " achieved through regular empowering exercises such as chest-beating, heavy drinking, swearing and grab-ass. weekend seminars are held in wooded areas, where the students can shoot things and do more heavy drinking.
windspring lovecreek heartfelt bucksnort school — learn how to massage your toaster; find edible and downright tasty hog's in a public John; train your kundalini to fetch the paper, fasting, slowing and nibbling programs are available.
a course in amazing — "everyday, in every way, i'll do what someone else tells me to. " this powerful mantra contains the crux of the amazing teachings; a collection of 365 different things to think about; one for each day of the year, after a couple hundred days of amazing, you won't want to think about anything else, goodforyoul
the nietzschshi'ites of north america — this group combines the philosophy ofnietzsche with the wisdom of the shi'ite moslems. one can consider the will to power while cleaning one's sphincter with a small pebble.
the alexanderthe great technique — this is not an exercise system, students become aware of how they can learn to run, walk, talk and solve problems, just like alexander the great, successful graduates express feelings of "total power, "genuine impulses to "conquer the world," some vague "sexual tweaks" and sudden proclivities to "ride horses with sweaty men. " this one is hot!
ralphian massage — a big, muscular diesel mechanic comes to your home and rips your lips off.
church of the glowing swiss account — trade your luxury car for peace of mind and a grass matin kildeer, north dakota. sounds too good to be true, doesn't it? the reverend jack dinero, ascended master and former cpa, has organized a permanent retreat for those ready to take the big step toward total self-immolation, act soon; jack says he has a big surprise in store for his next 1,500 devotees, don't be left out on all the fun/
these are just a few of the opportunities awaiting the true seeker in the new age. save your money and choose carefully, if none of the above strikes your fancy, consider sending a donation (be generous) to the
somerset mau mau institute of meta-flux programming and tweak crisis center, we wdldo the rest. tna„K
mau mau
psychopharmacognosticon
terence mckenna
Utopia, a friend of mine remarked recently that believing in Utopia was tantamount to believing in mass murder, his supposition being that Utopias are the mirrors of ideologies that usually first must purify the grist of politics— human beings — in rather harsh and unpleasant ways, this set me to pondering how well the Utopian program of science that was so widely anticipated before the world wars has fared, the faustian path, which seeks the resolution of the dilemma of transcience by overcoming nature through macho domination has led deeper and deeper into the byways of carnival magic called scientific modernism, all the mass murdering ideologies genuflect to the notion of science, this ranges over the political spectrum from the bullshit genetics of the nazis to the woo/y psychology of marxism.
fortunately the true governors of society are great dynamic currents in the unconscious of our species, and it is these currents, by the slow revelation of idea complexes, the jungian archetypes, that channel the evolution of culture, here a different program and a different Utopian image are present, i owe this notion to guy davenport' s book the geography of the imagination, it is that the emerging current is one which, within the context of the cultural momentum imparted to the situation by modernity, seeks to realize archaic values, mcluhan anticipated this, it is the notion that in much the way that the renaissance used the cultures of classical greece and rome to provide a guiding image out of feudalism so the resolution of the 20th century's global crises is to cast back to the late neolithic for "new" values, this notion sheds light on the contradictive fury of our century. Joyce, guernica, auschwitz, lunar landings, nuclear weapons, psychedelic religion, psychoanalysis and computer networking— markers on a path that may eventually carry us toward actually choosing functional anarchy as one viable path for human beings.
anarchy can only function in an atmosphere of tribal and individual responsibility, we are only at the beginning of the age of human and machine interaction and the technology and pharmacology of group mindedness and telepathy, the overmind and the collectivity of mind are becoming objects of experience for significant numbers of people, such people are linguistic catalysts, changing reaction rates in the development of local languages, the objects of psychedelic experience will emerge into the general experience of being when the evolution of language permits this, responsible anarchy, based in a cybernetic ally controlled "body- modeled" social environment will remain a magnet for some portion of futurism until it is tried. cont. page 24
******
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the innocent mauve of dawn
from the heaviness of a sleeping house
winged senses draw me out to the innocent mauve of dawn
i seem to rise
off the edge of earth
communing with
the galactic realms
my inner rows of candles lit in this innocent mauve of dawn
amidst the fade of mercurial spheres
spiraling stars can still be seen
tumbling into slumbering hills
in the innocent mauve of dawn
and o'er the velvet mountain high
a hovering bride of moon
ephemeral in illumined gown
so hesitates in morning's path, as
her radiant groom ascends
and so moves on . . . the innocent mauve of dawn
from lovers in evolution carolyn kleefeld
the horse and bird press box 67c89. los angeles, ca 90067
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atoms mirror atoms
leaving the body abandoning the finite,
an evolving-revo/ving vessel transmitting pulse from every pore the ignited senses; electrically charged antennae laser threads mercurial connecting, fusing a triumphant penetration through time — space beyond the present — gravity
a personal planet evolving — emerges — merging the vessel, the vehicle breathes the wing span of the universe living immeasurable vision
mobilizing another center, another gravity revolving in one harmony with the universal order,
the sublime network; an order interrelating all to all
in the profound meaning of integration
marrow incenses marrow
atoms mirror atoms —
magnetic pools of eternal eloquence
in fathomless silence
so speak
Isd and mda
(and little lambs eat ivy)
zarkov and grade
zarkov and grade are two notorious addheads with almost 20 years' experience in the areas of mythology, philosophy, psychoactive drugs, cosmology and irreverence, they currently fund their private researches by holding down jobs as investment bankers with large corporations, the results of these researches occasionally appear in self- published pamphlets under the general title "notes from underground. " recently, high frontiers sponsored a gathering so that grade and zarkov could indulge themselves in their favorite pastime . . . talking about these topics, some of the more interesting and outlandish anecdotes appear below.
zarkov: the most unexpected and one of the weirdest experiences we've had was on mushrooms potentiated by harmala alkaloids, based on the plant we used, we estimate that we had about 150-250 milligrams of mixed harmala alkaloids which we each took with 7.5 grams of dried stropharia cubensis mushrooms, it was an experience where the mushroom visions got brighter and brighter, then, when i got to the point where they were unignorable, i was able to move around within the vision space, finally, i entered into the vision itself, so that i was part of the vision, the interesting thing was that the characteristics of the vision were unchanged, the visions were still psilocybin visions, it was almost as if the harmala had provided a beautiful stage and lighting, built the auditorium, and then the mushroom provided the stage direction, plot and some of the characters.
the experience includes visions of about 50 or 60 different alien worlds, sometimes there was a soundtrack, sometimes there was a voice-over discussion and sometimes there was an argument that went along with the visions. I was free to move around in any particular world or i was free to, in effect rip the curtain of the vision and walk through to another world, the trip was a series of vision after vision where i was trying to make direct contact with whatever was in charge of the visions.
on that particular trip i did not succeed in having a direct vision of the mushroom entities or a direct conversation with the voices that terence [mckenna] talks about, however, on a succeeding trip, i did. i mean an experience of the literal, walk- right-into-your-livingroom, stand-there-and- talk-to-you variety, only when you look around, you aren't in your livingroom anymore.
harmala alkaloids occur in several plants, for example, syrian rue, which, used in combination with psilocybin mushrooms, could have been the soma of the ancients, we've been doing some reading in greek literature just this week and there seems to be references among some of the healing cutis to the use of peganum harmala (syrian rue), the best known use of harmala is in yagd or ayahuasca in south america. often it is used alone, but it seems that to get the most interesting visions, it is used with other tryptamines, primarily dmt-containing plants.
we are quite interested in this area of research and have additional harmala experiments planned for the fall.
grade: i had a similar experience on that combination in terms of choosing among a selection of visions, but what was interesting to me was that starting with that particular combination and with subsequent mushroom trips, we had our first fully-coupled trips, that is. we were getting exactly the same material at the same time, however, often we get it in different forms, for instance, i'll be seeing something and zarkov will get the dialogue . .^
zarkov: . . . or grade will hear a voice and i'll see something, the circumstances are usually a high-dose trip in a quiet darkened room with eyes closed, we will have the experience in a trance state and then we'll ask the other, "well, what happened?" then we'll find out it's the same material, furthermore, it's like a serial, there is internal structure, a story, this is unlike Isd alone, which is kaleidoscopic, there is a sequential chain, start to finish, that is describable.
grade: now in the case we're talking about, the mushrooms were eaten first, the harmala was a simple plant extract and it was smoked, i assume, because yagd is usually ingested as a boiled-water infusion (often with dmt admixtures), that the effects are different, it's probably more intense.
zarkov: almost all of our far-out trips have been on combinations of psychedelics. one thing we have found is that the timing — that is, the order you take the drugs in — makes a dramatic difference, for example, the combination of which we have had the most experience is Isd combined with methoxylated amphetamines, there the timing is crucial, usually we start with mda or mmda. when the Isd is added, the trip is not so much different in form as it is in content, mda alone gives you tremendous age regression capabilities, you start talking about your third birthday and things like that . . .
grade: . . . but add Isd and you get what you could call past lives and false memory imagery, that is, imagery, feeling or visions of being in another time, another place or another personality.
zarkov: using mmda pretty much roots you firmly in the "now. " it's also a little bit more other-directed, similar to "adam." in fact, many times people have equated adam with mmda, somewhat incorrectly, since adam usually refers to mdm.
the mda-lsd combinations, in terms of synthetic combinations, have been the most consistent and controllable, both grade and i have consistent series of personal visions, often times including the direct perception of and discussion with an entity we call the goddess.
the model we use is that the mda, with its age-regression, including past lives, gives you all possibilities of all the people you were or could have been throughout history, or it gives you the capability of being you in certain places back through history, the Isd, we always say, gives you the inside of your own head, it gives you all the possible historical potentialities of who you are or can be. when you take mda and Isd simultaneously, you get a sort of matrix multiplication effect where you can observe yourself in all possible incarnations, in our case these have always seemed to be lineal ancestors, the goddess entity sometimes explains the personal meaning of these visions to you directly. contpg24
the model we use is that the mda, with its age- regression, including past lives, gives you all possibilities of all the people you were or could have been throughout history, or it gives you the capability of being you in certain places back through history, the Isd, we always say, gives you the inside of your own head, it gives you all the possible ahistorical potentialities of who you are or can be. when you take mda and Isd simultaneously, you get a sort of matrix multiplication effect where you can observe yourself in all possible incarnations.
the first time i witnessed the mass consumption of mda at a sex party, a usually relatively shy woman stood up and said, "there are six horny, hopped -up women in the not tun and we hope there are some men who want to fuck us!" to lead the party off.
there will always be a few people in each generation who will want to explore their own selves via Isd. even if it's, you know, what? — three million every year who try it for the first time? there's no way it can be suppressed. Isd is a famous three-letter word, it's had a bad press so far. but the good press is that those who now take it will take it because they want to take it.
i think it's a question of knowing the ropes now. like finding pornography in 19th century f ranee — if you knew the ropes, you could get anything you wanted in pan's, if you know the ropes in santa cruz, you can get anything you want in santa cruz i'm sure, whatever turns you on. and there will always be this group, perhaps up to three million a year, who will try Isd. they don't have to have a guru; they don't have to be members of a group like "est"; they don't have to do anything except trust their own minds, since the majority are never going to do that, there's never going to be any fear of Isd being a popular drug, even if it was in the drugstores, then one out of twenty would buy it.
Isd is a winner because generation after generation after generation will take it there will be a minority group always, at present, there maybe three million, there are, you know, 20 million plus who smoke mindless psychedelics like grass and hash, it's ongoing, and in no way can be suppressed, there will always be divine chemists who will make it. there may be new drugs and old drugs and different drugs, but Isd will always have a place for certain kinds of people — usually intelligent and sensitive, with the usual effects, minus the freakouts as we get to know more and more about it. i mean, in 100 years there'll be no such thing as a treakout. less than that.
there were only really 11 or 12 inner brotherhood, the guys in laguna were prospective candidates for the inner circle, but the inner circle was at the ranch, if you lived at the ranch, you had autonomy over the people in laguna. andiftim or myself came into laguna from the ranch and wanted anything, they would get it straight away anything— cars, coke, hash, whatever was around would be broughtto us. yeticouldn 'tsee the differences between the guys at laguna and the guys at the ranch, except that the guys at the ranch were two or three years older, they all seemed pretty much the same to me, and i couldn't quite understand how the selection process worked to get into the inner group, but it was like that very hierarchical.
imean they had to be, obviously, completely trustworthy, they would have had to be tested on various missions, they would probably have had to have been arrested several times and not broken down or been an informant, they probably would have to have been good drivers, good travelers, nice, and have a nice wife, imean that's for openers, and they should be able to smoke a lot of hash without flaking out and have trips every three or four days without freaking out. and they all wanted to be given assignments, so they could prove their worth, like go there.
bring this back, audit didn't matter whether they wee busted, as long as they didn't inform, so they all wanted to be given assignments, it was a fantastic situation, when you think about it. go to turkey and pick up a kilo there, they were all ready, it was a religious zeal— that people are happier if they are turned on, that life is better suited to being high, in addition to all the other things ijust mentioned, they had to be altruistic, kind and loving, there was the selection process.
they were not altruistic in the [edward o.J wilson sense, but they practiced altruism intuitively, because they believed that what they were doing was a divine calling, they were called, and so they paid homage to a power greater than themselves, and this allowed them to take what we would call incredible risks, so they were like mr. magoo, you know, when he walks past a bridge and the bridge falls, he doesn't know, he doesn't see it. and the brotherhood was like that, except at the end. also, you've got to remember that the brotherhood was never more than 11 or 12 people, and also you've got to remember that a lot of people after the brotherhood split off— some are on the run now, some are dead— that a lot of people selling grass and some selling hash said they were one of the brothers.
Isd is a winner
michael hollingshead in conversation with peter Stafford
because they saw that the brothers only dealt the finest and the purest and the highest thing they could get hold of. and if it wasn't that, they'd keep looking all the time for something that turns you on— right? so a lot of people would say, "oh, igot this from the brotherhood, " or "this is acid one of the brothers gave me. " audit wasn't.
yippie vs. yuppie: a yummie commentary
r.u. sin us
in October of 1984, abbie hoffman and jerry rubin came to sen frencisco to debate yippie vs. yuppie philosophy, r.u. sirius, neopsychedelic pop party presidential candidate, was in attendance, this is mr. sirius' commentary on yippie vs. yuppie phenomena, anybody foolish, wise or crazy enough to be a yummie should contact sirius through high frontiers.
yippie vs. yuppie — a yummie commentary r.u. sirius
if you recall, a yippie is (or was) a member of the youth international party, an amalgamation of '60s new left and hippie attitudes and theories, abbie hoffman, jerry rubin and paulkrassner started the yippies in 1967, a time of great optimism, exuberance . . . intoxification, even, yippie! was the joyful yelp of a triad of psychedelicized, mccluhanized, radical, political humorists who knew they were catching the next wave, we were to ride that wave all the way through "the revolution" to a non-authoritarian, anarcho- communist Utopia, i believed this, i was 15 when yippie emerged, it seemed to be a vision worth fighting over, i became a yippie. i'm glad i did. more on yippies later.
a yuppie is a young, urban professional . . . or a young upwardly mobile professional, take your pick, yuppie is, of course, a media-created term which wouldn't have existed without yippie, which was a myth created by the yippies to use the media, yippie, in turn, was derived from hippie, a media-created term, in this regard, yippie stands alone as a self-created identity, in the '80s, we refer to this as empowering, yippies used to call this "fucking the system. " different lines for different times, yummies call it a really great shoooo and want to know where the party is, now that the show is over, welf, the party is over at our place! but more on yummies later.
getting confused? well, it's time to get those mental juices flowing by participating in this quiz, get your number 2 pencils.
quiz-mutation 101
1. which came first . . . the hippie or the egg?
a) the hippie
b) the egg
c) jann wenner
d) life was seeded on this planet long ago by a dna sperm-ship
e) none of the above
f) all of the above
2. why did the yuppie cross the road?
a) to buy property
b) everyone else was crossing the road and he/she wanted to fit in
c) jann wenner
d) life was designed on this planet to work for everybody
e) none of the above
f) all of the above
3. why doesn't jerry rubin or abbie hoffman like Isd anymore?
a) politicians can't risk transcending space-time categories
b) more fun than a human being out to be allowed to have
c) jann wenner
d) life is an existential cuckold
e) none of the above
f) all of the above
4. why did the yummie take the hippie and the egg across the road to share some Isd with the yippie and the yuppie?
a) yippie!
b) to get to the other side
c) jann wenner
d) life was created by goddess at play and you're here to have fun, stupid
e) none of the above
f) all of the above
about yummies
if you're stuck on the late '60s/ early '70s groove, you might still be somewhat of a yippie. this isn't a put-down, many aspects ofyippiedom . . . anarchism, outrage, funkiness, risk-taking, media consciousness ...are shining aspects of the evolving yummie perspective.
now, if you're stuck on trying to "get with the program" in the '80s, and if you're not overly brilliant you might be a yuppie, this isn't a put-down, many aspects of yuppiedom . . . wealth, third-wave technology, personal independence and growth, functionalism, taking charge, high-quality drugsf!) . . . are shining aspects of the evolving yummie perspective, you know, as a matter of fact i saw the second-best minds of my generation running through the gentrified streets at dawn in search of a quiche lorraine. and, by god, they found it!
now yummies . . . yummies come in three different varieties, this chart should give you some initial perspective.
yummie' — young, upwardly-mobile mutants
|
talents |
music |
drugs |
|
computer |
trance- |
dmt. |
|
whiz. |
music & |
hydergine. |
|
chemistry. |
other |
mdma |
|
science. |
exotica |
(tends to |
|
mind- |
eno/ |
stay away |
|
technologies. |
fripp |
from the) |
|
media |
bowie/ byrne |
|
|
wealth |
politics |
top of the pops |
|
more likely |
evolutionary. |
tim leary |
|
than yummie2 |
libertarian |
r.a. wilson |
|
or yummie3 |
terence |
|
|
to be |
mckenna |
|
|
well off. |
||
|
but not |
||
|
necessarily |
||
|
yummie2 — young urban mutant |
||
|
talents |
music |
drugs |
|
bullshit |
hardcore. |
Isd, |
|
detection. |
industrial |
alcohol. |
|
rock & roll |
music |
methamphet- |
|
aesthetics. |
amines, |
|
|
art anti-art. |
the |
|
|
survival. |
||
|
disturbance |
||
|
wealth |
politics |
top of the pops |
|
highly |
revolution/ |
william s. |
|
unlikely |
evolution. |
burroughs, |
|
anarchism |
brion gysin |
|
|
yummie3 — young, urgently-molting mutant |
||
|
talents |
music |
drugs |
|
wild |
selectivity |
unnecessary |
|
(psychic) |
is irre/event |
(librium, |
|
powers. |
since any |
Valium) |
|
creating |
sounds can be |
|
|
incidents. |
transmuted |
|
|
unusual |
in the mind |
|
|
appearances & |
to something |
|
|
disappearances |
suitably bizarre |
|
|
wealth |
politics |
top of the pops |
|
no |
alien, |
John hinckley |
|
extreme |
phi/lip k. dick |
finally, a few things might be said about some basic differences between this new yummie phenomenon and its yippie and yuppie geneology. yippies, for instance, still worry about selling out. yummies don't worry too much at all, but when they do they worry about selling mutational artifacts at a reasonable profit, yuppies are hung up on the upward mobility of their professional careers and bank accounts, the problem here isn't so much that they're selling out it's that they're selling themselves short, when a yummie uses the term upward mobility, she is usually referring to (as the leary/ wilson model would have it) turning on the higher circuits of the brain, or (and another tip of the hat to tim and bob) unlimited space, unlimited time, and unlimited contelligence to enjoy same, (or, perhaps, mountain climbing.) so here we are... 1984 . . . yummie ...the unseen, unacknowledge phenomenon . . . the next mutation . . . delicious. . . yummie!
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"he talks like a cross between a continental intellectual and a hippie, both of which he is. he doesn't look 72. " these words, written in a recent article in the village voice entitled "a wizard comes east, " only begins to skim the surface of who lucas hoving is. the word "wizard" in fact looms large in the official hagiography of this creative force in modern dance, magician, alchemist, or demiurge are other words that have been used to convey his daemonic genius.
born in gronigan, holla nd in 1912 . . . scholarship from the kurtjoos ballet in 1936 . . . performed in the "green table" . . . a short stint with mart ha graham . . . starred opposite kay kendall in agues de mille's film london town . . . a fourteen year partnership withjose limon, lasting through Union's death in 1972 . . . started his own company soon after limon' s death . . . today, in san francisco, he choreographs for the lucas hoving performance group.
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there's this line about duchamp, alchemical interpretations of his work, and his response was that this may be correct; but as far as he's concerned there is nothing consciously being done along those lines, and that he is plugging in to things of that nature subconsciously, when i read it, it had a certain ring to it through myself; when igot into these marks, some friends came by with a book on alchemical symbols and started showing me these things and, you know, would Hike to keep this thing, the interpretation of those things andi was like, not really, the whole process of working, even the titles, is on a subconscious orientation, that's the underpinning of the work and it's a way that i feel comfortable working.
the pieces, in time, name themselves, literally, it is this thing, this living personna coming into being, and so nothing is thought out in advance, the whole surrounding sea is one of unknown gestures; that's the broth we're swimming in. how do you touch in day-to-day? how do you touch outer perimeters which are a part of us, part of us personally and part of us as a whole? there's something aesthetically satisfying about this whole aspect of the subconscious that still — you know, it's worked its way into all of the arts, into the whole — it's gotten to be a socially acceptable kind of thing.
the subconscious — it's there, and there are things that start happening./ ask questions and i get answers, in different ways, it's how much you embrace that different zone, of correlations, of synchronisms, my life, more and more, operates and gears in that zone, waiting for little scintillations, the sculptures and drawings become like the media, the glue that holds one psychically together, it's about that which the life is woven and fit into, constructing, working in this manner, and then all these correlations and associations that start revealing themselves, by working in this seemingly haphazard way. i think what happens is that who iam starts to take a form, i mean creating, making, building, drawing; they're all ways of defining and delineating my realm, using the subconscious as the loundation. there's a certain truth there, the dream state, it's unfettered, there to be interpreted, and it's loaded with meaning, but i'm not into the analysis, the object of the drawing done . . . at that point i'm a common viewer, with no more insight than the next person.
i am plugged into this idea that the artist is the medium, literally, as it's passing through you; you've got to be mentally and physically in tune for these kinds of occurrences to take place, the intriguing creative activity is to go right into the vein of it. to take a scalpel and cut. what is the mechanism? how does this mechanism make for renewal? i can almost define what the intrigue is. it's like an organism
the whole surrounding sea is one of unknown gestures; that's the broth we're swimming in. how do you touch in day to day? how do you touch outer perimeters which are a part of us, part of us persona fly and part of us as a whole/
the idea is that the work becomes an over/ay, and us in transition, beings in metamorphosis, not static, biologically and physiologically, nothing's static, the universe, everything is constantly in flux, taking that idea, and the subconscious, the idea of plugging into that whole sea of thought of our whole geneaological past how many chords can i touch? can i get back to when we were just protozoa? where's that in the picture; or dust from how many stellar explosions . . . the egyptian thing, five suns, and now, cosmologically taking us, to say "yes, " this matter basically goes back to five burned- out suns, this whole thing about psychic link-up to the present future, and past to whatnot how far does it go? what's to be revealed? the whole posture is one of knowing nothing, what's inside of me to be pulled out and how much is there to be extricated? and then manipulating it
it's like palms and palm reading, you can alter those lines by thought and feeling, you can start them moving around, i mean, a lot of funny things started happening to a lot of these pieces; what's the implication of this? it seems that ifi immerse my whole visiual field, it will alter what can be extrapolated from inside, but it is what is going on inside! that's the thing, these are readings; these metal objects become external fossilizations of internal processes, how does a shell come about? what's responsible for that shell in terms of the organism that is alive and living inside of that mo Husk configuration? basically my waking hours are like something of a dream, my ideal state is to be just sort of. . . hip. if you believe it, it's real.
this is what we're made of: these wierd little weaves and spider tales, it's about getting things to go out and happen in space in a pretty rapid way. things happen in space . . . the idea of us, of our flesh, our hands, our fluids, you know, ethereal things, effervescence, and the being transference of this to that harder substance, to fossilize; and what is the relationship between this organism and the structure that has come out? i don't look for associations, i just work, later, as the process goes on and on in time, these correlations start happening, the idea that ifi walk around for three months with this little magnifying glass in front of my eyes looking at bugs, looking at anything, perhaps what goes on will start affecting what comes out. yes, the spaceship is on automatic, but at the same time the pilot can make some course adjustments. com pg 27
the intriguing creative activity is to go right into the vein of it. to take a scalpel and cut. what is the mechanism? how does this mechanism make for renewal? i can almost define what the intrigue is. it's like an organism . . . the idea is that the work becomes an overlay, and us in transition, beings in metamorphosis, not static, biologically and physiologically, nothing's static.
vitalism: the reason beyond question
Joseph sluskyin conversation with dale
the idea of making something, of creating something, is literally making our self, mimicking the whole genesis of the organism.
revolution and evolution:
you can't have one without the other
high frontiers interview with paul krassner
h f: you're primarily known as a legend of the 1960s, what would you say that your legend consists of, in your own mind.
p k : what i'm infamous for is the realist, which was published from 1958 to 1974. it's like a resume for the radical has- beens employment company, also i was an original founder of the yippies and gave this phenomenon, which already existed, its name.
h f : would you say that when you started it off, was it more of a psychedelic warrior phenomenon or was it more of a left-wing political phenomenon?
p k : the phenomenon was the coalition of those two polarities, they associated with each other, dope being the medium, you could see it happening before your eyes, the straight politic os began to let their hair grow and psychedelic dropouts you'd see at civil rights rallies and antiwar demonstrations, it was like a new breed, hippies who had lost their innocence and new lefties who were getting turned on. it was already there, and it only needed a name, and it was the right name because it worked.
h f : it was very different when it first started than what happened around '69 and 70 and 71 with weather underground "off the pig, " and that whole attitude, and then really different again, as they still exist.
p k : i guess all organizations represent the personalities of their leaders, and it's a different set of leaders.
p k : you used the word revolution, i didn't use the word revolution, that period represented to me an evolutionary jump in consciousness around the world, i don't really see any difference between revolution and evolution, you can't have one without the other, they're both a process, a revolution never ends, any more than an evolution, or, once a revolution ends, then it's probably a dictatorship, i would think.
p k : reagan got in, probably, through a series of political and cultural assassinations that lead to a mandate, when i perform on stage, i talk about the fact that the republican convention was at da/las, and then i add, at the texas book depository, on the sixth floor, to honor their roots, a lot of young people don't know what i'm talking about because they forget those details about the assassination of John kennedy. in effect, that was like a coup, i mean, nobody goes through all that trouble to get rid of somebody if you don't want to fill inbetween. so i don't know what they did to lyndon Johnson to make him resign, a man with that kind of maniacal ego . . .but then, also, bobby kennedy and martin I other king and malcolm x and waiter reuther and who knows . . . in one year, the three most socially active musicians died: John lennon, harry chapin and bob marley. now, it may be all coincidence, but when you have a book, like the cia does, about getting rid of cultural leaders as well as political leaders . . . . if we can suggest to nicaragua to get rid of these people to get power, there's no reason we shouldn't do it on this side of the border.
p k : the cia was using Isd for experiments, to try and control people, and it backfired when people started doing it on their own, deprogramming themselves from the culture and then reprogramming themselves to a new focus, that became a threat to the economy even, in terms of . . . people were making their own clothing, they were sharing cars, they were making their own bread, the implications of this lifestyle, if it became a popular trend, was a threat to the economy, you know, who needs insurance if you have a large extended family where everybody takes care of each other, and the insurance companies practically run the country, they're the ones who get laws passed so that they don't have to pay premiums.
hf:do you think that the depression was h f : they were sort of the original punks.
created to stop that from happening, i mean,
they must have read marcuse and fuller just h f: high times in a way emerged from the
like we did. and they could have said, "wait a yippies also, to the extent that it was torn
second, we can't let this happen, bring back forcade.
scarcity. "
p k: i don't know, when i was in college, i passed my economics course by reading that, it's interesting, you look so optimistic, yet can be so cynical, or you can recognize that cynicism that somebody else might use. i guess i don't give them that much credit with manipulating the economy, but i guess that it's possible.
h f : it's my theory that the depression just sort of emerged to stop people from having post-scarcity consciousness, that seems to be the thing that was left behind from the late '60s. like in f ranee in '68 and the yippies. white panthers, the kinds of demands that were raised at that time were very Utopian, based loosely on the post- scarcity anarchism idea.
p k : there's a renewal now. do you know lee swensen, who talks about scarcity and he's started a thing in berkeley called the commons . . . he's teaching about paul goodman's work.
p k : just today on the news . . . i got a lot of work done so i rewarded myself by smoking a joint and getting a swiss almond vanilla ice cream and watching the news, which has become a form of entertainment even though, you know, it's about tragedy and comedy, they had a feature about ethiopia, the starving kids there, and they showed them, and i thought, well, there i am, i'm looking at a film of kids who are starving right now and still simultaneously enjoying my ice cream, and not feeling guilty about it because i see those kids when i'm eating the ice cream even if they're not on the screen, it's just part of your awareness, somehow, somewhere, also, when i see those kids and i'm not eating an ice cream, i'm aware of the ice cream, i suppose that's yin/yang. i never know the technical terminology for what i have learned by intuition, i didn 't read my first book till i was 21 so that i have to go by what i have experienced 'cause i didn't know the names for anything, which turned out to be an advantage because you're not seeing it through somebody else's definition.
p k: well, torn forcade was essentially with the zippies and it really emerged out of his subsidizing the publishing effort with dope dealing, which would have been snitching to say then but now is. . .
h f: legendary.
p k: so i think that when he killed himself, something happened to their cash flow.
p k : they [psychedelics] were a catalyst to breaking down the conditioning of the institutions, the brainwashing of the culture, i remember when i interviewed leary when he was always talking about how it should just be a spiritual trip, and a lot of people just did it for pleasure, and we had this whole dialogue about . . . well, maybe pleasure is a spiritual trip, i mean, pleasure as opposed to irresponsible hedonism, i'm not sure exactly what irresponsible hedonism is. i guess it means using a rusty whip.
drug use evolves along with everything else, i took xtc the other day. so i might take xtc now, instead of Isd. watch them outlaw that because they want control, i think world war III is being fought in a way already, over which drugs are legal and which drugs are illegal, ultimately, it seems to come down to that, wars are even being financed on the basis of illegal drugs.
h f: what did you think of xtc?
p k: i vomited and had feelings of love, in that order.
p k : the realist started 'cause i felt like an alien without knowing the word for it. yet i never lost faith . . . i can't be the only one. and when i started doing the realist and when i started performing . . . like i performed at town hall just for realist readers and advertised only in the magazine, and they all came and you've never seen an audience looking around at each other like that, just to see what the other aliens look like, i mean, they were using the magazine as a touchstone.
revolution and evolution, you can't have one without the other, they're both a process, a revolution never ends, anymore than an evolution, or, once a revolution ends, then it's probably a dictatorship, i would think.
i never know the technical terminology for what i have learned by intuition, i didn't read my first book till i was 21 so that i have to go by what i have experienced 'cause i didn't know the names for anything, which turned out to be an advantage because you're not seeing it through somebody else's definition.
maybe pleasure is a spiritual trip, i mean, pleasure as opposed to irresponsible hedonism, i'm not sure exactly what irresponsible hedonism is. i guess it means using a rusty whip.
h f: what do you think aboutthe yippies at this point? do you read overthrow?
p k : it has some important stuff in h. i've had my differences with the current leaders ofyippie. it's different, i mean, they started out as zippies at first, anyway, and then became yippies. and the purpose of the zippies was to compete with the original yippies.
the best of the realist, by paul krassner is available through running press book publishers, 125 south 22 nd st, Philadelphia, pa 19103. $8.95 plus $1 postage.
something of the aphrodisiac character of datura is suggested by chimon mana, the jimson weed maiden of the hopi. like the taoist fox woman, she is conceived of as preying on males, eventually driving them insane, such traditions, telling as they are, have been largely ignored, however, in the enthnobotanic literature.
the genus datura is certainly the most problematic genus in the field of psychoactive drug plants, although its potent alkaloid content (atropine, hyoscyamine, and scopolomine among others) evoked much interest and a considerable literature stretching back to theophrastus, the taxonomy of the genus has been fraught with controversy, early herbarium samples were carelessly identified and voucher specimens often lacking, and as schultes and hofmann have stated, "if the taxonomy of the genus is still uncertain, exact knowledge of the chemistry, from a comparative viewpoint is chaotic. " (schultes and hofmann 1980: 273 f.)
the alkaloids of datura are generally associated with medieval witchcraft in the western imagination, most accounts dwell exclusively on its use as a stupefying agent or its anodyne, soporific, and deli he nt effects, medically, it has been used for asthma, epilepsy, and, mixed with goose fat, as an anaesthetic healing poultice for burns and wounds, it figures prominently in cautionary tales on the ingestion of native plant drugs, everyone is familiar with the Jamestown incident from which jimson weed derives its name and notoriety, h i Id e ric friend describes the effect of accidental ingestion on british soldiers sent to Virginia: "having eaten of it, they turned natural fools for several days and spent their time, some in blowing feathers into the air, others in a sitting posture grinning like monkeys, and others again pawing and fondling their companions " (1883 i: 69)
although accidental ingestion can certainly result in death, controlled recreational use of datura is attested from antiquity onwards, dioscorides tells us that "the root being drank with wine ye quantity of a dragm, hath ye power to effect not unpleasant fantasies. " (gunther 1959: 470) thophrastus recommends three twentieths of an ounce of the root be taken "if the patient is to become merely sportive and to think himself a fine fellow; twice this dose if he is to go mad outright and have delusions. " (1977 ii: 273) giambattista delta porfa chronicling the experiments of the "otiosi" or aristocratic dabblers/ recreational druggies of 16th century naples, says that "a drachm of the root. . . will make men mad without any hurt so that it is a most pleasant spectacle to behold such mad whimseys and visions ..." "but we will not tell of those drugs that breed it for ever, only those that may make us sport for a day, and afterwards leave no harm . . . prey make trial!" (1957: 219) he repeats the same caveats as dioscorides and theophrastus as to dosage: the dose trebled causes a permanent alienation of mind, and quadrupled, causes death.
garcia da orta, reporting on its use in 16th century india in his colloquies, says "the natives of this country do not consider the taking of this to be dangerous, and many take it as a joke. " (1913: 175) generally, though, across asia, it was regarded as a stupefying agent in the hands of robbers (penzer, sir richard burton, gimlette, g. da orta, taverna).
datura looms large in hindu mythology, especially in association with the god shiva. thunberg in his travels (v. iv, p. 91) claimed that datura stramonium was native to Java, in 1581 captain ark rig lit, the explorer, learned of a coral ring of islets in the south pacific where the death flower grew: "hence it was named el banoor, or island of death, this flower was so large that a man might enter it — a cave of color and perfume — but if he did so it was the last of him, for, lulled by its strange fragrance, he reclined on its lower petals and fell into sleep from which there is no waking, then, as if to guard his slumber, the flower slowly folded its petals about him. the fragrance increased and burning acid was distilled from its calyx, but of all hurt the victim was unconscious, and so passing into death through splendid dreams, he gave his body to the plant for food. " (skinner 1911: 30 f.)
conlpg25
datura: aphrodisiac?
alison bailey kennedy christian ratsch
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IT WORKS! SUPER PEYOTE DIET COLA
ILLUMINATI GENERAL
CORNHOLES
* I JERRY FALWELL'S
ASTRAL BODY
DEAD MAN
GIVES BIRTH
TO 60 POUND
SPACE MONKEY
WEIRD NEOPSYCHEDELIC DEATH
CULT UNCOVERED
1985 by sacred cow mutilators, all rights reserved, registered u.s. patent office, marca registrada.
BIZARRE
LOVE DRUG ORGY
ROCKS ESALEN
SWEET REVENGE
VIGILANTE COWS
FIGHT BACK
AT MUTILATORS
-UFO'S FLEE
KANSAS IN DROVES
NEOPSYCHEDELIC
DEATH CULT VICTIM:
-4- f-S*
" . . .THEY MADE ME LIKE IT"
MARIN
SICKOS STUN
LAID BACK GENTRY
LOVE-STARVED
JACKAL-HEADED
LIZARD PEOPLE
TERRORIZE
PENTAGON BRASS
POPE IN A DITHER:
GLOWING RAM DASS
IMAGE APPEARS ON
SHROUD OF TURIN
LIZ TO WED
BILLIONAIRE
ARTIFICIAL BRAIN
TRANSPLANT
TEEN
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you start off with something . . . an atom, for instance — in this case, it's a mercury atom, and the mercury atom emits 2 pairs of photons at once, and they go to different photon detectors where they are detected and their polarization is measured at these separate detectors, and bell shows from the experiment that there is no way this experiment can be explained by a local reality, even though the results are local, it's as though these two photons were together in the mercury atom, they go and they separate at the speed of light, going in opposite directions, and they go on and on and on. they can go to either side of the galaxy, but however far apart they are, they're in instantaneous communication, according to bell, and he can show this from the data of this experiment, these photons are so tightly coupled together, their correlation is so strong, that the correlation cannot be explained by a local underlying reality.
[to prove that two photons are communicating with each other] bell uses a very simple form of proof called reductio ad impossible, it's related to reductio ad absurd urn except that what you reduce things to is out-of-sight-impossible. what bell does is he just assumes that this experiment can be explained by any local reality whatsoever, so he assumes locality, goes through some very basic mathematics having to do with the results of the experiments and ends up with one plus one is three, so that means that this assumption that reality is local is wrong.
i' II say a little bit more about the experiment, we have this mercury source, it looks like a sanjose streetlight, it's a mercury vapor source that's glaring, mercury emits two photons, a purple and a green one, and they can be arranged to go off in opposite directions, each atom emits two photons, that's the key to this, you get a paired situation, then these photons go off and in their path you put a c a I cite crystal, and what calcite is . . . it's a birefringent mineral and H divides the beam in two. now the beam can go up or down, h has two indices of refraction, it's measuring the polarization in some sense, so you have a blue beam going in one direction, hitting the calcite going up or down, and you have counters in the up and down end of each of these things, you measure for each event whether the green goes up and the blue goes down or the blue goes up and the green goes down, you just measure these things, and you get something called a correlation function, whenever the blue goes up and the green goes up, whenever they go into the same channel, that's called correlation, when they go into different channels, that's called anti-correlation, what you measure is the percentage of correlation.
now the calcite crystals have an axis pointing in a certain direction, when these axes are aligned, when they're both pointing up, these photons are perfectly correlated, whenever one goes up, the other goes up, and whenever one
the thing about physics, where it differs from philosophy, it may be possible to put some of these things to the test, one of my fantasies about this is, for instance, that video cameras are competent to be observers, and one of the things about life so far on this planet is that people have been pretty shoddy about reporting their descriptions of things, we've been just sorta loose, talking, sharing experiences, if my experiences don't seem to jibe with yours, well, maybe my memory is wrong, but now we have video cameras, and all these tape recorders, and everyone's got them because they're so cheap with the transistor
revolution, suppose you have half a dozen video versions of a your body, one ot 'the things we're interested in iui/dmg "at scene and they don't jibe? you very rarely— unless you're a the consciousness theory group is conscious robots, these tv network— have many cameras on the same ... are machines that have feelings, that can feel, and machines
[questioner: "like a football game. "J like a football game. that you can inhabit, what we 'II have is we'll have robots [questioner, "when one guy scores a touchdown and the line that explore another planet but we will be in them, judge says he didn't."] that's right! there's always things like essentially, we will have their body image, and we'll be that happening in reality, you say, "well, the tv camera saw walking the surface ofjupiter and trudging through the
bell doesn't talk about consciousness, that's our version of it. we have a little group in san francisco, the consciousness theory group, and our guess is . . . we accept reality as non-local, and we think that the reality that bell is talking about is subjective reality, is the inner reality, the reality that we experience in our heads, and presumably which is everywhere else too. so that's another hypothesis.
in our model, the consciousness theory group model, only minds can connect together, matter is just stubborn and slow, but for a lot of purposes, you wouldn't have to move
the objective reality and the referee didn't, so we'll trust the tv camera. " well, suppose it would happen someday that tv cameras begin not agreeing, i have a name for this, it's called "consensus domain. " [the idea] that there are little regions where reality is the same for everyone, but there are other regions where it's not. and if you have two tv
snows ofpluto. our bodies will be in an orb iter somewhere, but our perceptions, our body image will be that robot, we'll be connected by radio link and/ or be anaesthetized in some way, so we're not connected to our own body but to the body of this robot, so then interstellar travel becomes easy, if the aliens have such robots, all we do is go by telepathy to their
cameras that are in different consensus domains . . . perhaps planet and inhabit their robots, like putting on a new suit of
they're owned by people with different views about the clothes, i mean, why bother taking your body when you can
world ...in the network studio, i would think that those have anew one waiting for you on alpha centuri? the robots
cameras are all in the same consensus domain, they're all are local, but consciousness is not. consciousness can go
owned by the network and they're all there for a particular floating across the . . . who knows, maybe they have a suit of
purpose, so it's important for them to agree on the particular clothes waiting for you already on tau ceti, if you know how
reality they're looking at. but people coming at it with their own private cameras now, may be able to pick up, on tape, different visions of the same scene, then what will we do? how would we interpret that?
to inhabit it
what is it about matter that makes it aware? suppose i were to give you all the hi-fi parts and computer parts that you wanted, what would you do with them to make a little thing which would have inner experiences like you're having right now? where would you begin? that's the problem we're working on right now. where does consciousness come from? what kinds of matter does it like to be around? or observor-created reality, and it's not solved yet this problem makes it work? it's something that psychologists call the psi-
so, why is there this consensus reality? i'll tell you how physicists deal with that, they deal with it as a work-in- progress, they recognize it as an important problem in the
of why there is a consensus reality.
consciousness precedes materiality, in fact as far as the tree story goes . . . you know, "does a tree make a sound when it falls if there's no one there to observe it"... it doesn't even fall if there's no one there to look at it. it isn't even there to fall.
there's this funny thing, no one's ever seen a non-local event, in physics.
there's a quote from the golden bough, it's the definition
goes down the other goes down. . . 100% correlation, now as ofcontf9ious ma9'c- it says, "contagious magic is based
you gradually turn the axis of the crystal from one place to another, the correlation is lessened, until when the axes are at 90°, then you get total anti-correlation, and ' in between. there's variations, audit's the nature of these variations that bell looks at. and he shows you that the variation. . . i'll tell you what it is. .. at one o'clock, when one is at one and one is at twelve, it's 75% correlation, and when one is at twelve and one is at two . . . when there's two hours difference, the correlation is 25%. so as you go around the clock . . . when they're both at twelve, you've got 100% correlation, at one o'clock, 75%. at two o'clock, 25%. at three o'clock . . . 0%! that doesn't sound very dramatic, but it is.
maybe i should say what physicists response to this is. let me re-explain bell's theorem in terms of this experiment, bell says that any reality underlying this experiment has to be non-local, these statistics, these correlations, can't be explained by a local reality, so there is a very large group of physicists who say. . . "o.k., reality is non-local, bell proved that, therefore there's no reality. "
they want to hold on to locality, that's a very important principle in physics, so in order to hold on to locality and bell's theorem, we will ditch reality, can you imagine that?! here these guys are at university positions saying, "well, we've got this choice here, guys, this guy from Switzerland has come up with this theorem and we either have to give up reality or locality, which is it going to be?" so they get together in their seminar rooms and they decide, "o.k., it's going to be reality."
it [bell's theorem] appeared in scientific american under the latin byline, "ese estprincipe, " which is "to be is to be perceived. " it talked about bell's theorem and the epr experiment, and the conclusion it gave — as the orthodox view — was that there is no longer any objective reality, reality is created by the observor. there isn't anything out there, but as soon as someone does an experiment, there is. that's the orthodox view, it's just to deny reality and this problem will go away.
there are about six different realities that belts theorem makes possible, none of them are ordinary, they're all preposterous, but you get to choose.
upon the assumption that substances which were once joined together possess a continuing linkage, thus an act carried out upon a smaller unit will affect a larger unit even though they are physically separated. " that's a state of non- locality, that things remain connected.
when i hear someone saying, "everything affects everything else, " i say, "what are the limits of that statement?" and there are limits, one of the basic limits of everything affects everything else is that the appearances have to be local, because all of the physics experiments that are done are local, so there's a very curious clue being handed us by nature, bell's theorem says that reality is non- local, the reality underlying this is non-local, faster-man- light, the underlying reality is faster-man-light yet what comes from that the experiments that we see, are definitely local, so underneath it's non-local, and above it's local, so any connection has to be strong enough to give us bell's theorem but weak enough so that you don't see all of this weird shit happening every day. but there is a possibility of seeing weird shit, there are those needs that we have for consistancy.
that's basically my view, that i take bell's theorem at face value. Hike to believe in a reality and bell proves that reality is non-local, but that reality is an inner reality, it's underneath ordinary experimentation, underneath space and time, so you'd say, "so what? then it's outside of physics. " which it is. it is outside of physics because we can't measure it, by definition, but there is an inner reality that we know about that's outside physics that we experience every day, which is ordinary consciousness, perhaps that's the link between physics and consciousness, that this underneath reality is associated with mind, not in the way that the deniers of reality would have it . . . that we subjectively create everything, but that we are somehow under this reality in some way, and we are the real parts of the world, the underneath part, and what happens is connected to that, it's no less real, so the mental aspects of life are non-local, i would say. and then the question comes up, "well, if we're so non-local in our minds, how come we're not all connected?" if we are all one, how come we don't know about it every day? how come it doesn't get in our way, if we are all one? my guess is that we are somehow afraid that there is a phychic price that you pay for accepting this oneness.
phy mapping psiis the psychic component phy is the matter component, what is the actual explicit connection between matter and mind? it's asked in a dualistic context as if there were mind and matter, but that's a good assumption for a scientist because that's one that they can understand, if mind and matter were all merged, it would be hard to ask the question, but we'll find that out by experiment, we can refute the dualistic hypothesis, perhaps.
scenarios continued
some new books have have appeared since our last communique:
true hallucinations is a full-blown account of the yage/ mushroom experience that was briefly described indennis andterence mckenna's the invisible landscape (seabury press, 1975). this new account (1984) comes on eight audio cassettes — available through lux natura, box 1196, 2000 center st, berkeley, ca 94704 for $80 (plus $4.80 sales tax in California), it is an extraordinary journey through realms of "alien intelligence and psilocybin. " "the wildest trip i ever took or heard of, " comments terence. (look also for the mckenna brothers' revised edition of psiocybin: magic mushroom growers guide, due in bookstores shortly.)
psychedelic reflections (human sciences press, 1983) is the latest collection of essays by prime movers in this current phase of activity, contributers include alexander shulgin, waiter huston dark, tim leary, norman zinberg, and re w well, John buckman, stan grof, hanscarl leuner, ron siege/ and char/es tart. . . with their comments on "twenty years on an ever-changing quest" (to use shulgin' s essay title), the editors of this work, tester yr/n spoon and james bakalar of the harvard med. school, previously published psychedelic drugs reconsidered (basic books, 1979).
the editors of rolling stone have issued a poorly informed volume on how to get off drugs (simon & shuster, 1984). they make little of the distinctions between mda and mdma, for example, stating that effects from these distinct compounds are "almost identical. " that mdma lasts only about half as long as its cousin might have been worth mentioning, they do, however, provide us with the "word of the month": tachyphylaxis! this word refers to "a rapid rise in drug tolerance, " a subject which we intend to explore further.
marijuana beer, a thin book of recipes based on the experiences of the manufacturer of "high brew beer" as told to ed rosenthal, has also arrived at bookstores, included in the slipcover are 50 bottle labels for this specialized product — "the beer to have when you're having only one. " the idea here is to add marijuana during the last two or three days of the brewing process, so its the content can be leached out by the fermenting alcohol, we hope this hybrid might catch on, since its effects are cannabolic rather than alcoholic.
those having questions or useful information for us: please write to us c/o the psychedelic education center, box 2544, santa cruz, ca 95063.
slusky continued
i always watch whan someone is working in, like, clay and then goes on to another medium, how it jumps off into a new thing, carrying with it the old . . . film, for instance, the first films were a mimic of theater; it didn't really understand its full potentials and characteristics, so someone going to a new media, someone well grounded in metal, you see all those old associations, they don't understand the new and they Jump off with what they previously knew, the idea of making something, of creating something, is literally making our self, mimicking the whole genesis of the organism, that is what art is. here, you know, to go back on some sort of streamed out level, to go back ad infinitum, to the beginning somewhere, we're prisoners of time, there's the moment that's apart, what about the past when we were all those other things, when we weren't here in this form? how far can we zoom back and link up with and touch chords?
take the whole time of the universe like it's a thousand page book; our time is maybe the last word of the last page, we've been here only a short time, what does that mean? we're going somewhere else, so at this particular moment, having become, stood erect and freed our hands; that's what the situation around here is. this flourishing of making — where's the book going? it's this activity, art as laboratory, groping, tinkering, in the garage, saying this is the culture then, this is worth reconsidering, everything seems to be in this zone of making and reconsidering, like the coke bottle, we're all immersed in the commercial; in this "what do we need, what don't we need. " art is the next stage, we know bydarwin, all this evolution thing, that we're going places, we're talking about genetics, tinkering with things, if everything is a push button world, then our toes are going to drop off. what we adapt effects our physiological and biological structure, it's a very loaded thing, talking about elemental activity, it seems haphazard, but it's not at all, really, what we're discussing here can alter the whole brain patterns, can affect the behavior, maybe this whole thing of making and doing will evolve out of itself, maybe we'll get to the point that the nervous system takes over and we'll be like some sort of minus emanations or something, maybe we won't manifest ourselves at all in any physical way. it seems that this is the stage that we 're in. that's a bit of the fascination of these sculptures, to alienate the maker, there's been a lot done with the mind and hands that we know is alien, not really beneficial to our continuance as a species, we're having to make adjustments and corrections, we know the mind is weird stuff. . . connections on this scale
we're in trouble if we forget the forces, these myths that so many other civilizations and times have centered their lives around, that's one of the pitfalls of technology; it can give us a false sense of embracing the rational, and the irrational, the subconscious forces, take on another language, one thing that i tend to dwell on about the extensions of technology; how do we bring these things into our realm so we can understand their place? like george oppen, this quote: "... feel myself, feel my nipples, feel my skin . . . " — all these insulations, all these pertinences, all these things that we adapt to extend our flesh and bones and sensorium . . . we're getting so strung out on them that we lose touch of the point of reference, who we are, where we're at, and in art Hike to go back periodically, since we're immersed in this sea of extensions, to be able to again touch the flesh and go back to points, like, for instance, the ritualist objects such as the "venus of willendorf" and their reason for being; the clarity, the purity, the directness, [interviewer's note: the "venus" is a small, abstracted sculpture of a fertile earth mother that was held by primitive women during sex to insure fertility.] these things clear the air, get me on track, they force me to remember what art is about the vitalism, the reason beyond question, you can't go up to the woman holding that thing and criticize it in terms of proportion, in terms of aesthetics, it's a force — a force to be contended with, it's reason for being is sound; self- perpetuation, continuance of the species, i think of my sculptures in that vital way. it's viability — that's the question, each piece is to be tested in the fire of it and the test becomes the test of myself, that is my measure; before the piece becomes a "public pronouncement. "
the first thing that has to be gotten in order is your relationship to the activity, the unteachable, vhalistic necessity, the absolutely important thing that cannot be taught it has nothing to do with technique or skills.
at this point in time it's everything; even this driveway is fascinating to me. this rust on the ground, this whole range of deteriorization, or a candy store, or a woo/worth's; they all seem to have been leveled out and are all active grist to be dropped into the hopper to be cogitated over, salivated on, and re composed in some new metamorphosis.
this interview took place in the driveway of Joseph slusky's studio, October 13, 1984. i have omitted the questions i asked because slusky's answers really determined the form of the next question, at the time of publication an exhibit of slusky's works at the civic gallery in walnut creek has just come to an end. his works can be seen at
berkeley marina; "calliope"— 210 university ave., "combustible purple"— 539 bryant st, san francisco "the kaiser's song"— 2150 franklin, Oakland "ashby odyssey"— 1350 franklin, Oakland "calypso"— el camino b/vd, mil/brae facility of the san francisco department of water
"they say it helps if you close your eyes, cowboy"
terence mckenna at esalen
during a beautiful weekend in October, terence mckenna gave a workshop at esalen entitled "psychedelic perspectives on future history. " a weekend with terence is like a trip on a hallucinogen that speaks, the setting was an ideal place to hold a workshop for protohumans.
much of terence '$ work is an attempt to create a consensus regarding the far-out states reached under the influence of tryptamine hallucinogens, since it is far too early for definitive statements, the following sample of things said, questions without answers, things not said, and answers without questions may seem disjointed and confusing, however, this can be said for many high-dose trips, yet each of these statements could form the foundation for a profitable meditation or trip, for these statements we are completely indebted to terence, kat and other workshop participants, yet, since the workshop was filtered through our admittedly warped personalities, dear reader, you should absolve terence of the responsibility for what is printed below, if this article piques your interest, a complete set of cassettes of the seminar are available from dolphin tapes.
stay high & stay free grade and zarkov
the "wetware, " the feminine mentality, is always one step ahead of the "hardware, " the engineering.
psychedelics are a source of reintegration and reconciliation with lost portions of human history.
the human drive to make artifacts is as natural as the coral polyp's process of making coral reefs.
the creation of space colonies will provide the opportunity for art on a scale to shame the pyramids.
ideology has become bankrupt, the mysteries can be perceived directly.
language was not engineered for complex intellectual purposes.
with the use of the hallucinogens, the sacred has become de-localized.
a person is a moving wave front of genetic information in the here and now.
the morphogenetic field is just below the surface in every organism.
where shamanism is not involved with plant hallucinogens, it is probably a theatrical show.
the mushroom is behaving like various drugs and has taken on an interpersonal dimension.
there was a giant punk goddess with a green mohawk and full body armor screaming, "is it finally strong enough for you?"
one can emphasize the awesome and democratic (anarchic) qualities of these experiences.
anarchy becomes realizable given certain kinds of people — responsible individuals operating with a real sense of the collectivity.
human language is the most alien artifact we have.
each of us is the hero of our own story, this is what makes life meaningful.
a privilege, not of yogins and adepts, but the privilege of any human being with the courage to seek.
we must create a specific, intelligible language to describe the phenomenology of these experiences.
my intuition is that nobody knows anything.
the psychedelic experience is, in the end, for creating new human abilities and recapturing lost old ones.
the genius of wait disney was to find a way to show other people the mouse who wore gloves and ran around inside his head.
)
he
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